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October 10 2017

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enteringtwinbeaks:

Twin Peaks (1990-91) 

Reposted bymalinowowa malinowowa

October 07 2017

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October 02 2017

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enteringtwinbeaks:

Twin Peaks (1990-91)

October 01 2017

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chatnoirs-baton:

Anousheh Ansari accepts the 2017 Academy Award for Best Foreign Film, ‘The Salesman’ on behalf of Asghar Farhadi

 
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aftaabmahtab:

Super Market in an underground station in Tehran, Iran (2016) 

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microham:

Fish and crop an display. They are being sold as traditional Persian New Year’s decoration.

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artfilmfan:

The Salesman (Asghar Farhadi, 2016)

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jaded-mandarin:

Wladyslaw Czachórski. Detail from Resting Beauty, 19th Century.

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theletters2juliet:

“The most effective way to destroy people is to deny and obliterate their own understanding of their history.”

–George Orwell, “1984”

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Reposted bymempra mempra
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criterioncollection:

Abbas Kiarostami’s mind-bending CLOSE-UP is our repertory pick of the week.

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carcosalabyrinth:

A Girl walks Home alone at Night (Ana Lily Amirpour 2014)

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tribeca:

“In Asghar Farhadi’s Oscar-winning moral parable The Salesman, the writer-director’s longtime acting collaborator Taraneh Alidoosti delivers a stunning central turn that earns our admiration for what the actress both does and doesn’t do. As Rana, a married Iranian actress who is assaulted by a stranger one night in a new apartment, Alidoosti refuses to embroider the character with personal touches or make her exceptional in ways that transcend the confined events and traumatic revelations depicted within the film. This daring lack of distinctiveness could conceivably run the risk of alienating an audience were it not for the actress’ sterling, measured technique, which betrays potent flashes of toughness and devastation, but mostly an increasing recessiveness that proves just as worrisome to those surrounding her on screen as it does to the engrossed viewer. Alidoosti’s watchful restraint consummately traces the arc of an everywoman struggling to collect her bearings after a harrowing encounter, all the while privately pushing back against a role which she never intended to play — that of victim.” — Matthew Eng

The 10 Best Female Film Performances of Early 2017

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